Submissions from 2018
“The Baritone with Muscles in his Throat”: Vaughn Monroe and Masculine Sentimentality during the Second World War, Andrew S. Berish
Irony and Sincerity in a Time of Crisis: Sentimental Piety in The Robe, Andrew S. Berish
Space and Place in Jazz, Andrew S. Berish
Submissions from 2016
Dancing with Knives: American Cold War Ideology in the Dances of West Side Story, Daniel Belgrad and Ying Zhu
Submissions from 2015
Survival, Adaptation, and Experimentation: Duke Ellington and his Orchestra in the 1930s, Andrew S. Berish
Submissions from 2013
Charlie Barnet, Andrew S. Berish
Leisure, Love, and Dreams in Depression America: Duke Ellington and Tin Pan Alley Song, Andrew S. Berish
Music and the Great Depression, Andrew S. Berish
Submissions from 2012
Lonesome Roads and Streets of Dreams Place, Mobility, and Race in Jazz of the 1930s and '40s, Andrew S. Berish
Submissions from 2009
Negotiating “A Blues Riff”: Listening for Django Reinhardt’s Place in American Jazz, Andrew S. Berish
Submissions from 2008
"I Dream of Her and Avalon": 1930s Sweet Jazz, Race, and Nostalgia at the Casino Ballroom, Andrew S. Berish
Submissions from 2003
Review: Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience, Andrew S. Berish
Review: In the Houses of the Holy: Led Zeppelin and the Power of Rock Music, Andrew S. Berish
