Degree Granting Department
Eighteenth-century composition, Corelli, Analysis, Compositional style, Treatise on composition
Francesco Geminiani was highly regarded as a violinist, composer, and theorist during the late Baroque era. During his lifetime he was considered equalin status to the foremost composers of the day; however, relatively little information is available regarding his life and works today. This lack of information is largely a result of controversy among his peers regarding the merit of his work, specifically in reference to melodic style, structural consistency and harmonic practices. Critical views of such authors as Sir John Hawkins and Charles Burney have been reflected in later historical writings, considerably suppressing further interest in the composer.The first objective of this thesis is the examination of Geminianis 1752 treatise, Guida Armonica, its content, and implications for potential harmonic and structural functions. The second objective is to identify specific characteristics of Geminianis music that distinguish him from other composers of the period.
Scholar Commons Citation
Weber, Valerie R., "The compositional style of Francesco Geminiani: A reflection of theory and practice in his music and guida armonica treatise" (2005). Graduate Theses and Dissertations.