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Theses/Dissertations from 2007

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Shakespearean Spin-Offs: Mindless Entertainment or Conversations with Critics, Amy Anderson

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The Pragmatist and the Aesthete: Late Nineteenth-Century Religion and Theology in Harold Frederic’s The Damnation of Theron Ware and Ellen Glasgow’s Phases of an Inferior Planet, Matthew Antonio

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Rock, Paper, Scissors, Josef Benson

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Good Girl, Bad Girl: The Role of Abigail and Jessica in The Jew of Malta and The Merchant of Venice, Anna Beskin

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The Constructions of Fay Weldon, Woman of Letters, Harriet Blymiller

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American Odyssey, Bernadette Kafwimbi Cogswell

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Standing Up With The King: A Critical Look At Stephen King's Epic, Jenifer Michelle D'Elia

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Identity Politics: Postcolonial Theory and Writing Instruction, Toni P. Francis

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Changing the subject: First-person narration in and out of the classroom, Susan Friedman

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My Lord Lackbeard: Enfranchisement and expressions of beardlessness in Shakespeare's canon from 1594 to 1601, C R. Junkins

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The Gothic as counter-discourse: Mark Twain, Charles Chesnutt and Toni Morrison, Hyejin, Kim

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The Turn of the Screw's debated phantasms: The role of the fantastic in the creation of Peter Quint and Miss Jessel, Susan Savage Lee

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The chivalric Gawain, Carleigh Leffert

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Faust in Lolita: Composing sins, souls, and rhetorical redemption, Aurora Mackey

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Elements of narrative discourse in selected short stories of Ernest Hemingway, Gueorgui V. Manolov

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Moving Thumos: Emotion, image, and the enthymeme, Eric D. Mason

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Venturesome women: Nineteenth-century British women travel writers and sport, Precious McKenzie-Stearns

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Beauty, Objectification, and Transcendence: Modernist Aesthetics in The Picture of Dorian Gray and Pale Fire, Deborah S. McLeod

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Suzan-Lori Parks’s The America Play and Its Deconstructive Ontology, Rachel A. Naor

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The art of existentialism: F. Scott Fitzgerald, Ernest Hemingway, Norman Mailer and the American existential tradition, J'aimé L. Sanders

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"A Woman's Face, or Worse": Otto Rank and the modernist identity, Michael L. Shuman

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Scissors paper rock, Barbara St. Clair

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What the Spirit Knows: Charles Williams and Kenneth Burke, Grace Veach

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Honor - a double-edged sword: An examination of the South's "culture of honor" wounding of two races, Vernetta K. Williams

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Thomas Hardy's Siren, Sarah A. Wray

Theses/Dissertations from 2006

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Mocking Mohammad: Mark Twain’s Depiction of Arabs and Muslims in The Innocents Abroad, Nancy Bakht

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Bel-Imperia: The (Early) Modern Woman in Thomas Kyd’s Spanish Tragedy, Ann McCauley Basso

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Folk Wiki: The shared traditions of folk music and the Wiki way, Phillip Mark Chamberlin

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Powerful submission: Popular texts and the subjectivity of Christian right women, Ellen L. Flournoy

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Altered States of Reality: The Theme of Twinning in David Lynch's Lost Highway, Alan Edward Green Jr.

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The influence of the "Book of Job" on the Middle English morality plays, Cameron Hunt-Logan

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The signature poetics of Sharon Olds and John Cage, Walter E. Lewallen

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Virginia Woolf and the persistent question of class: The protean nature of class and self, Mary C. Madden

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Joyce...Beckett...Dedalus...Molloy: A Study in Abjection and Masochism, Patricia A. McCabe-Remmell

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The Enthymeme’s Role in Modern Discourse, Ryan Meehan

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Cross-dressing in Sarah Grand's The Tenor and the Boy and E.D.E.N Southworth's The Hidden Hand: gender, class, and power, Marcy Wynn Murray

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Ashes from Falling Stars, John A. Nieves

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An Inquiry Concerning the Teaching of Critical Thinking in an Advanced Placement Literature and Composition Class, Minnette Northcutt

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The True Picture of the Indian—As Jackson Viewed It: The Portrayal of Alessandro as an Atypical Native American, Carrie. Olin

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Multiple voices and the single individual: Kierkegaard's concept of irony as a tool for reading The Great Gatsby, The Sun Also Rises, Mrs. Dalloway, and Ulysses, Thomas P. Smith

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Icon, representation and virtuality in reading the graphic narrative, David Steiling

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"Mingling Incantations": Hart Crane's Neo-Symbolist Poetics, Christopher A. Tidwell

Theses/Dissertations from 1999

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Literacy, Technology, and Change: The Gates of Hell, Janice R. Walker